I've been sketching since I was a kid. My family consists of artist and they all were more photoreal and accurate than I was. My older brother has an amazing eye and was my first art teacher. I always thought I had a very sketchy, non commital style and it bothered me when compared to the sublime work of my brother. Later, I found in art school that a few professors really loved my expressive lines and how I captured form and movement despite the accuracy or the false 3D perspective. I believe this is what helps me work as a storyboard artist, a motion designer, and how I capture an audience with a story by creating individual memorable frames.

Client: The Washington Post

Working for WAPO was fast paced and exploratory. We managed breaking news and took our historic verticals from print and expanded some features into digital and video. This series 'On Leadership' highlighted thought leaders in the world and iconic key moments in their development that helped shape the leaders that they became.

Client: ESPN/The Race Card Project

The Race Card Project, an ESPN production, began as a web app discussing race and politics in America. After winning a Peabody Award and becoming a successful podcast, ESPN came to me and my production company to create an animated miniseries for the podcast.

Client: Marriott / Salesforce

Storyboard to showcase a customer narrative as preliminary speculative work for user experience at a conference event.